Week 10: On Painting with Molds

This week’s theme was molding and casting. I decided to work toward something personal: a modern version of my family ring, building on the scan I made during 3D printing week.

Goal & Constraints

I only have one original family ring, and I really don’t want to destroy it in a mold. So the plan was:

  1. Model a simple signet ring in Fusion 360.
  2. Extrude my family crest artwork on the top face.
  3. 3D print a positive pattern, then create a mold and cast a metal version.

I started from a few separate Fusion files:

Designing the Ring

I followed a signet-ring Fusion tutorial to build a clean parametric base: a band with a flat top face where the crest could live. Compared with the original scan, this parametric version is easier to tweak (ring size, face dimensions, thickness, etc.).

First printed ring on the table
Early test ring: checking overall proportions and band thickness.
Test ring worn on knuckle
Trying the test ring on my hand to sanity-check the scale in real life.
Failed print with spaghetti-like extrusion
One of several “spaghetti” moments while I dialed in the geometry and print setup.

Family Crest Artwork

The crest itself started from a vector drawing. I wanted something that would:

Family crest SVG artwork
Family crest artwork in SVG form.
Simple star SVG icon
A simpler star motif I used for quick test extrusions before committing the full crest.

I also briefly tried downloading pre-made signet rings from Printables, but they came in as dense meshes, which made it painful to cleanly extrude the SVG. The parametric Fusion model ended up being much easier to control.

3D Printing the Pattern

I printed the ring pattern on a desktop FDM printer. The main challenges were:

Printer control panel during calibration
Printer calibration: leveling, temperature checks, and test moves.
Close-up of the 3D printer settings screen
Final print settings (layer height, temperature, and speed) that worked best.
“Printing air” moment when the print detached and the nozzle happily kept drawing in mid-air.

Mold Design

I designed the mold geometry in Fusion 360 by placing the ring inside a surrounding mold box and preparing the negative space for casting.

The ring master sits inside the mold box with sufficient wall thickness around it to keep the mold rigid during pouring. This approach also helps achieve a smooth cavity surface (the cavity finish is set by the master/pattern surface rather than a visible CNC toolpath).

Below is a timelapse documenting the physical fabrication of the silicone mold used for casting the ring.

Timelapse of the mold-making process: mixing and pouring silicone around the 3D-printed ring master to form the casting mold.

Casting in Metal

Once I had a successful printed master, I used it to create a mold and cast the ring in metal. The workflow was:

  1. Embed the printed ring in casting material and form the negative mold.
  2. Pour molten metal into the mold cavity.
  3. Break out the rough casting and clean it up.
  4. Currently, I am on the hunt for sanding tools to clean it up!
Multiple ring casts on a table
Freshly de-molded casts: slightly rough but with the crest details visible.
Ring in metal before sanding and polishing
Metal ring straight from the mold, before sanding and polishing.
Sanding tools
Looking for sanding tools.

Sizing & Fit

Getting the size right was surprisingly non-trivial. I used a ring sizing tool to translate “this feels okay on my finger” into actual inner-diameter numbers that I could feed into Fusion.

Using a ring sizing tool to choose ring size
Calibrating ring size with a physical sizing tool.
Trying on the first printed ring again
Checking fit on the printed prototype before committing to metal.

What I Learned