This week, I explored the idea of “painting with big things.” My initial inspirations included Louise Bourgeois’s spider sculptures, kinetic mobiles by Alexander Calder, and the playful scale of KC badminton installations. I wanted to build something large, sculptural, and functional— perhaps a huge planter, a modular chair, or even a sundial.
Ultimately, I decided to create something for the TPP lounge—something playful yet useful. I considered options like a big chess set, a low table, or a rocking chair to watch movies on. The idea of a rocking chair stood out for its balance of engineering challenge and comfort.
I began by researching various rocking chair designs for inspiration. My goal was to create a chair that could be CNC milled from plywood sheets, using interlocking pieces without the need for screws or glue. I sketched several concepts, focusing on modular designs that could be easily assembled and disassembled.
I was inspired by the oval rocking chair design by Andrew Doxtater, who provides a rounded construction kit online. I recreated the oval form from scratch in Fusion 360, adding cutouts for the seat and backrest, and later experimented with armrests. To strengthen the structure—since OSB isn’t particularly strong—I added reinforcements to the bottom and backrest.
Once my design was complete, I moved on to CNC milling. I began with calibration tests— making a comb joint to check material tolerances. Many thanks to Geoffrey, our amazing monitor, and Chris, the woodshop manager, for their guidance and endless woodworking insight.
Since the design was parametric, I easily adjusted the slot size in Fusion and exported the DXF for milling. Chris helped me adapt it for Mastercam, which the architecture machines use. I also learned about using “trees” to support small pieces during milling.
After milling, I snapped the parts out of the onion skin and used a router to round the edges.
Here’s where problems began—the bottom piece didn’t fit properly. I realized I had parametrized one of the slots incorrectly, making it too small. The chair rocked, but slightly off-balance.
With some help from Gert and Chris, I tried fixing it using a hammer. Unfortunately, OSB isn’t very sturdy—and this approach caused more damage than progress.
Eventually, we cut out the damaged part and milled a corrected replacement. The new version worked perfectly!
I wanted to personalize the chair by adding text inspired by my mom’s favorite song, “Dance Little Sister” by Terence Trent D’Arby. Unfortunately, I couldn’t get the laser cutter to cooperate, and the transfer paper didn’t work as expected.
In the end, I decided to leave the chair as-is. It’s charming, imperfect, and comfortable—especially with pillows.